Fallopian Tube Series
Multi event-specific and site-specific environmental art installation – various locations around New England
- Completion Date: Fall 1981 – Fall 1982
- Media: Stretch knit fabric, rope and PVC pipe
- Locations: Boston Center for the Arts, Rockport, MA and Boston Common, Boston, MA
- Dimensions: 45 ft (L) x 7 ft (Dia.)
- Budget: $250
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Created using stretch knit fabric supported by PVC rings of varying diameters, this giant slinky-type sculpture was first created for the first Boston Center for the Arts resident artist “Within” show held in the cavernous Cyclorama building. Installed in several locations throughout New England during 1981 and 1982 as a focal point for various public interactions, the Fallopian Tube was an apropos name for describing the emergence of people through this simple mobile work of environmental art
This mobile red and black artwork spent much of the summer of 1982 tied up on Cathedral Rocks near Rockport, Cape Ann, MA where the artist often spent days and nights living within its form. As the “Sea Worm,” this large bulbous tube moved with the wind and was believed at one point to be a beached whale by the Coast Guard. Many a visitor sat and contemplated the ceaseless movement of the ocean through the tube’s opening. When the artist returned to Boston on the local train and with the permission the conductor, he stretched the Fallopian Tube out along the main isle of the train car, forcing people to move through the sculpture to exit the train.
In September 1982, WBZ-TV commissioned the artwork as “Callahan Tunnel” to be installed on the Boston Common as part of the first Kid’s Fair. During the afternoon, over 100,000 youngsters walked through or played within this undulating tube of fabric. Parents were heard saying, “They don’t want to come out of there,” and kids were heard saying “Can we come back and do it again later?”
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"My sculptural environments are aesthetically pleasing site-specific artworks that connect nature and culture by employing the three legacies for regenerative and sustainable design of (1) environment: natural systems, (2) education: experiential systems, and (3) engagement: cultural systems. By using a variety of art media and fabrication methods to create sculptural open spaces that are intended to support personal rejuvenation and inspiration, my sculptures provide venues for environmental learning and community celebration.”
Contact

Environment, Education, Engagement
Michael Roy Layne, Ph.D., RLA, ASLA
Environmental Sculptor • Landscape Architect • Community Artist
Studio/Workshop
135 South Main Street
Warrenton, North Carolina 27589
Office
442 S. Main Street
Warrenton, North Carolina 27589
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