Ruby Calyx

Developed through research into the structure and shape of the sea urchin while he was living on the coast in Cape Ann, MA, Layne created the Calyx structure initially as a prototype for an outdoor stage.  Named for the part of the flower at the top of the stem that holds the pistil and stamen also known as a cup or chalice, the Ruby Calyx spotlighted the people who entered or played within its form.  Originally commissioned by Jordan Marsh Company this red and blue pod was installed at the main store entrance where guests entered through it to attend the Cultural Times Ball.

After the success of the first Calyx, the form was duplicated and often set up in a pair upon a raised platform.  Capable of withstanding inclement weather including snow, wind, and rain, this self-supporting structure was quite mobile and thus was installed in dozens of locations throughout New England between 1983 and 1989.  Often re-titled to conform to the theme of a particular event, these installations included: “Ornamental Calyx” – main stage as part of building-wide decorative installation by Layne for the Christmas Holiday season at Boston City Hall; “Pumpkin Patch“ – WBZTV Kid’s Fair on Boston Common; “Double Calyx”- Charles River Festival, Cambridge, MA; Word Sculpture Race at Fitchburg Art Museum; and community celebratory event at St. Ann’s Church in West Newbury, MA; “Ruby Calyx’ – annual Tree Lighting ceremony on Boston Common; Averoff Middle Eastern Restaurant front court display; and snowy winter entrance to the Boston Center for the Arts Sugar Plum Festival.  Whether installed singly or in a pair, as an entry or a stage, the Ruby Calyx always enhanced its surroundings and brought joy to those who entered or preformed within its form.